A little background on the Joe Rossi & The Back Door Jam
the Back Door Jam
For years, I have steadily built up a large community of mostly Doors fans but also Deadheads, Bob Dylan fans, and people on the peaceful classic rock/hippie side of the spectrum.
Between YouTube and MySpace alone I have a little more than 70,000 friends & subscribers. I consider these folks friends & family, and many of them have expressed support for my original music and words. Most of this has been done under the banner of Deadhead Dylan & The Desolation Doors, reflecting my primary influences.
There are more than a few fans here in Texas, and many have asked when I’m touring, when we’re playing etc., as well as encouraged me to start a tribute.l Meanwhile, while I have been trying to reconstitute a band that could play my original music along with covers, I have worked a day job, like most musicians and artists, as I have kids to take care of here in Texas.
I have wanted to bring to fruition a band doing these originals, but in a town with a glut of original acts, it’s nearly impossible, while working a full time job. At MySpace I do feature professionally recorded songs from my one CD, A Last Fling W/Decadence & Democracy, itself a tongue-in-check tribute to the inspiration of The Doors.
This project – The Back Door Jam – will be red meat for die hard Doors fans. As much as I enjoy a large following in cyberspace for my original works, clubs and record companies aren’t lining up at my door offering me gigs and record contracts for my original works. Publishers aren’t asking to publish my poetry and get behind my two books -one fictional and one non-fiction- which I have self-published. While these products, along with sales of my CD and mp3 downloads, do sell from time the sales for now remain negligible.
Meanwhile, Doors tribute acts enjoy a record of being successful. Check out Wild Child and Peace Frog in Los Angeles, The Doors Experience in Europe or The Soft Parade in New York.
Here in Central Texas, I cannot name one band paying tribute, and see it’s a void that can be filled, in Austin, but more importantly in the large sprawling suburbs of Dallas-Fort Worth, Houston and San Antonio where middle-class baby boomers are ready and eager to see a band play music they all grew up with. The market is underserved and to me that’s a huge opportunity.
About Jim Morrison
Jim Morrison has always been an albatross around my neck as I have somewhat in vain tried to be my own person. Because I look like, sound like, and write like him, many immediately assume I am not my own person, but just another so-called “Jimitator” or wannabe.
For years I’ve carried a chip on my shoulder about how my resemblance is a gift and I wanted to do more with my gift that just ape Jim in a tribute act. I wanted to do my own thing, even if I do look like Jim. I wanted to assert my uniqueness and distinguish myself from the legions of Jim Morrison impersonators out there. While tenaciously clinging to this ideal of credibility, it has not done my pocketbook any good, and it’s high time, to go and play music for folks, have some fun, and perhaps earn a living, or at least supplement my income, playing music.
Will there be room for originality. You bet, but at the same time this is a tribute and it’s disingenuous to bill it as that and then throw out originals. Still, I’m not opposed down the road, if the audience is receptive, to that possibility. Many less familiar with The Door’s catalog, have assumed that some of my originals are Doors covers.
The future is uncertain. As a final point, The Doors themselves are releasing a critically well-received new documentary about the band this fall and winter and that is bound to stir up more demand and interest in the band.
So, while the future is indeed uncertain, the time to hesitate is through!



